![]() Singleton begins his film when Tre’s mother, a career woman in the making, can’t handle the irrepressible youth anymore and feels he needs a man’s direction. But there is also a foray to a main drag, where young blacks cruise on potentially explosive “American Graffiti” nights. Through the sound and light cast over the Hood by police helicopters - a loud beating of steel wings and shafts of piercing, blue-tinged light - Singleton fills his audiences with a sense of what it is like to live in a police state, a crime-filled, always perilous environment where Big Brother is always watching you.Īfter Tre Styles, played as a boy by Desi Arnez Hines II and as a young man by Gooding, moves into a new neighborhood to live with his father Furious, the Hood is the main focus of the film. ![]() Singleton does insinuate one brilliant cinematic touch that introduces a series of shivers into a film that is often comic and upbeat. But this is an engaging, lively and fascinating view of another side of the African-American experience, fueled by an especially compelling performance by the rapper Ice Cube as the film’s pivotal character, an appealing but dangerous young criminal nicknamed Doughboy.Īs photographed by Charles Mills in mostly warm, sunny tones, “Boyz N the Hood” is a straightforward, rarely inspired piece of filmmaking - never reveling in the stylistic tricks of Spike Lee, whose “Do the Right Thing” projects a somewhat similar feeling for the world. and from occasional stretches of preachiness. ![]() “Boyz N the Hood,” which begins when the three central characters are 10-year-old boys and jumps forward to their senior year in high school, suffers from a rather flat portrayal of the writer-director’s alter ego by Cuba Gooding Jr. ![]()
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